Jan 24, 2017 6:23 PM
When written in the same sentence, the terms “religion” and “art” tend to turn the contemporary secularized gaze back in time to Renaissance imagery. Those old, redolent, often pious pictures of Christ Child and Madonna are pleasing to look at, but these days their principal function is to confirm how religious art existed in ages past. Present-day artists can’t possibly be interested in that anymore.
To other eyes, religion and art co-exist just fine, as long as it’s a nebulous, personal “spirituality” that the artists are trying to express — nothing too public, political, or potentially threatening to anyone who looks at it. Others light on the scandals — Andres Serrano’s Piss Christ, David Wojnarowicz’s A Fire in My Belly, John Latham’s God is Great — thinking the arts now only work against religion. And still others reduce “religious art” to some proselytizing message, like you might see in Thomas Kinkade’s kitschily-lit homes.
Which is all quite remarkable, considering modern and contemporary art is flooded with religious symbols, strivings, conceptions, and, yes, controversies.
Jun 16, 2016 1:37 PM
MADRID (RNS) Hieronymus Bosch may have died 500 years ago, but he’s inspired episodes of “The Simpsons,” rock ’n’ roll lyrics, children’s book characters, movies from “The Exorcist” to David Fincher’s “Seven” — even Dr. Martens boot designs. Last year when Leonardo DiCaprio visited Pope Francis, the actor brought along a book about Bosch as a gift for the pontiff.
How does an artist who has been dead for half a millennium pull off such a feat?